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Out Of The Bedroom review

That raffle prize..My friend Aileen and I went and did the Out of the Bedroom open mic on Thursday night. If you fancy playing your songs live but are a bit nervous I recommend Out of The Bedroom for a really supportive atmosphere. Here’s what reviewer Calum Carlyle said about us both..

OOTB 325 – 4th December 2008 – reviewed by Calum Carlyle

Ho there, traveller, and welcome to the haven known as Out of the Bedroom! None of your karaoke here, or those dodgy oasis covers you hear floating around the ether. It’s the final OOTB for 2008, if you weren’t there, you missed it. Never mind though, here’s a review of the entire night! just look up all the performers on myspace, then read the review for each one while their music’s on and you can sort of kind of not really approximate what it was like. Well, actually myspace is never going to be as good as live music no matter what happens, so you’ll just have to make the effort to come along to OOTB more often in future if you want to hear quality music such as the likes of these brave souls you’re about to read the review of (go on, read it, you know you want to!)

AILEEN – “I’m a ghost in the queue at Haddows”

Tonight’s only first timer i think. Lovely voice, lovely songs. The first song was quite mysterious and curious. Aileen’s got a lovely voice. As she’s playing her second song, Nobody’s Daughter, i’m thinking she sounds like Tanya Donnelly if she was from Glasgow. That’s definitely a good thing in my book. More nice acousticness with the third song, and this time it’s mysterious and curious, but also slightly insidious. Also, maximum points for using the word “dystopia” in a song.

MILO – All day i’ve been sitting here waiting to be given some work that is humiliating.

Later on this evening, Milo will win a much coveted OOTB T-shirt in tonight’s raffle but for now, in these early innocent hours, he plays us some interesting music. He stops during the intro to his first song to comment “That was obviously wrong”, and then carries on immediately, into a song reminding me of 80s ska, like The Specials or the Beat. Second song was the hit single out of this set, in my opinion, I’m Not Your Mailman, plenty of interesting tempo and pitch changes and imaginatively written too. It’s almost like he’s doing all his own backing vocals as well. More tense depressingness for the third song (and i mean that in the nicest possible way). “You’re going to want your money back when you find out what’s wrong with me” he sings, well i didn’t think there was anything wrong with him, myself!

By Milo

Freelance writer and content creator.

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